By Marcel Cornis-Pope
Started in 2010 as a part of the “Histories of Literatures in eu Languages” sequence subsidized by means of the foreign Comparative Literature organization, the present undertaking on New Literary Hybrids within the Age of Multimedia Expression acknowledges the worldwide shift towards the visible and the digital in all parts of textuality: the broadcast, verbal textual content is more and more joined with the visible, frequently digital, textual content. This shift has spread out new domain names of human success in paintings and tradition. The overseas roster of 24 members to this quantity pursue a extensive diversity of concerns lower than 4 units of questions that let a bigger dialog to emerge, either contained in the volume’s sections and among them. The 4 sections conceal, 1) Multimedia Productions in Theoretical and ancient point of view; 2) nearby and Intercultural tasks; three) types and Genres; and, four) Readers and Rewriters in Multimedia Environments. The essays integrated during this quantity are examples of the categories of tasks and inquiries that experience develop into attainable on the interface among literature and different media, new and previous. They emphasize the level to which hypertextual, multimedia, and digital truth applied sciences have more desirable the sociality of examining and writing, permitting extra humans to have interaction than ever sooner than. while, in spite of the fact that, they warn that, so long as those applied sciences are used to augment previous behavior of studying/ writing, they are going to convey modest effects. one of many significant initiatives pursued by means of the members to this quantity is to combine literature within the worldwide informational setting the place it will possibly functionality as an innovative accomplice, educating its interpretive expertise to different parts of the cultural panorama.
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Additional resources for New Literary Hybrids in the Age of Multimedia Expression: Crossing borders, crossing genres
Reproduced with the author’s permission. Electronic Literature and Modes of Production 35 In one of the most detailed typologies of new media literacy, Espen Aarseth defined new media productivity as “cybertextual” (see Cybertext, especially chap. 6). John Cayley’s work Translations (see Figure 4) is a digital textual generator, a machine for the production of signs. This work allows unlimited modifications of graphemes and sounds. Translations works as an endless transformation of digital code.
To escape techno-determinism, it is important to limit the description of technology to the description of material and to broaden the analysis with the social context from which the material structure emerges. Productivity is not an activity of a technical field or a transcendent Object. It does not involve the selfamputation of a human being, or a process in which the human being becomes the “sex organs of the machine world” (McLuhan 68). Specific forms of productivity emerge from the economy, culture and politics of a liberal society.
The clearest indication of this move,” writes Slavoj Žižek: is the shift in the use of the term “transparency”: modernist technology is “transparent” in the sense of retaining the illusion of an insight into “how the machine works”; that is to say, the screen of the interface was supposed to allow the user direct access to the machine behind the screen […]. The postmodernist “transparency” designates almost the exact opposite […]: the interface screen is supposed to conceal the workings of the machine, and to simulate our everyday experience as faithfully as possible (the Macintosh style of interface, in which written orders are replaced by simple mouse-clicking on iconic signs […]).
New Literary Hybrids in the Age of Multimedia Expression: Crossing borders, crossing genres by Marcel Cornis-Pope